There's something about empty clubs, whether it's before the storm when doors first open, or at afterhours at that hour right before the sun comes up, when you can get away with playing deep grooving records. These records work either in the early shift or the late late shift, both for very different reasons. This is one of those records. Pip William's is on fire as of late, and 'Behind The Yellow Line' does a marvelous job of blurring the lines between electro, progressive and breakbeats - not quite breaks, not quite house, not quite electro, a groove in it's own unique way. Dope. City of Bass: blogging daily about the electro music scene. Follow along via twitter or the RSS feed |
My blogs
City of Bass [Dispatches from Vocode Project] · Template
New post
Overview
Posts
Pages
Comments
Google+
Stats
Earnings
Campaigns
Layout
Template
Settings