![City of Bass [Dispatches from DJ Mad Wax]](https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhsv0QqLbagtIXgSkaG8P71y5a35a_9njRQili21hwwXBWPT61VrK3ImmM_LhiPdfAzeiGpD8HN-GkSivf4TnaicEUcRCztKpvvC16kuACrKV6sSuqZWtRG3GaQvHu9nO_3RGSxyrMe1VE/s1600/djmadwax_city_of_bass_banner.gif)
Blackford gets a lot of love on City of Bass, and for good reason. Rather than expound on why you should be paying attention to his latest release, I'm just going to quote Blackmass Plastics article from Darkfloor who just did a full review of this joint, because he hits the nail it on the head exactly
"There are relatively few producers in the current “electro” scene that have an instantly recognisable sound, it is all too easy to go over old ground in a genre so torn between fetishising the past and actually progressing in sonic outlook. Paul Blackford is one of the few producers out there with a clear vision of what tomorrow could sound like." Blackmass Plastics
Dont sleep, and cop this today direct from the label.
City of Bass: I flux with it if its kopfnicken. Follow along via twitter, facebook or the RSS feed
